Andrew Moore

Spotted some work by Andrew Moore on Conscientious (http://jmcolberg.com), and was struck by his use of colour (http://www.andrewlmoore.com/).

The colours here are quite saturated. The yellow green dominates in the middle.

There is a hyper-real aspect to this photo and many of the others which I think indicates a certain amount of digital post processing. 

In this shot there a contrast of orange (the building) and blue (the sky).

The green of the building is brought to life particularly by the red of the jumper.

A rhythm of orange turns to red which creates a point of contrast with the green. Does the point of contrast help to draw the eye to the neutral blue of the man? I think it does. It also ties it to the random red and pink of the washing at the bottom of the shot.

Here the warmth of the yellow is harmonious with the green.

Colour isn't particularly important aspect in this one, but the statue of Lenin, with the eyeline leading toward the chained bear (is it real) and the empty waterbowl and faded industrial setting, is a sad, funny, poignant and undoubtedly profound (if ambiguous), statement on contemporary Russia.

The yellow green and blue here is given weight and depth by under exposure.

There is a great warmth in the orange lights which is given contrast by the exterior, distant cold blue.

There is a wonderful combination of random rhythms (the stalls), patterns (cars) and shapes (curved paths) in this one which is helped by the small blocks of multiple colours.